I learn more from the audience than I can from anybody else. Not from what they write on the scorecards, but how they respond to the movie while they're watching it - where they laugh and where they react.
Miami Beach - that's where I grew up, in a middle-class Jewish family led by my maternal grandfather. Me, my great-grandmother - a Holocaust survivor, who was my roommate - my grandparents, my mom and her brother all shared a four-bedroom house.
They say your childhood influences your tastes and interests, or your approach if you're an artist. So what you create, whatever you saw, whatever your childhood was like - it influences how you're going to end up.
In my public life, I'm just a guy who enjoys having fun.
I'm not invited to the Vanity Fair dinner where they watch the Oscars - or even the Oscars themselves - so I sit at home and watch it with a bunch of close friends.
I'm not tied to budgets. I'm tied to the story that I want to tell, and how much it's going to cost is up to whatever the economic situation of the studio is.
When I do short films, I try to do something completely out of my comfort zone, out of my element.
Producing is making films without having to work sometimes. It's still making films, but it's a different job.