I don't really read that many magazines; I'm more of a browser. I get 'Vanity Fair' quite often if I'm on a train.

My father loved biographies. He loved the true tales of interesting people that were shaping our culture. I get why he dug 'Vanity Fair.' You feel smarter, somehow, for reading it.

We did a 'Vanity Fair' spread for 'The Hunger Games,' and we were on set, and I saw a little head pop up from the tree. There were three teenage girls who snuck past security and made it into the forest.

If I have a spare second, I usually catch up on the many magazines I'm behind on or watch the latest movies on demand that I usually missed at the theater. I love magazines. My top three: Graydon Carter's 'Vanity Fair', Adam Moss' 'New York magazine' and David Remnick's 'New Yorker.'

As fantastic as it is to have 'Vogue' and 'Vanity Fair' as places to work, I don't often get to shoot the kind of things I like to photograph in the way I like to photograph.

'Vanity Fair' did this grid thing a couple years ago, connecting people who've worked together, and I had the most branches on it or whatever, because I'd worked with so-and-so and so-and-so worked with so-and-so, and I was kind of in the middle.

I'm not invited to the Vanity Fair dinner where they watch the Oscars - or even the Oscars themselves - so I sit at home and watch it with a bunch of close friends.