The choice of films I make is directly proportional to the kind of cinema I have grew up watching.
People feel that in this industry friendships are not for real, but that's not true. Otherwise, what is the point of being friends?
Success demands sacrifices. I believe it's a small price to pay for the adulation and love one receives.
It's silly to have a prototype, because one inevitably falls for someone unexpected. My only criterion is she shouldn't just look nice; she must have a personality, too.
An actor should never be influenced by the surroundings, because you have to submit completely, and trust me, it's not a good feeling when you know that your father is going to come and watch you work every day!
I have never restricted myself to my strengths and abilities, as they are unlimited, and I am still discovering them.
I enjoy doing action a lot more because my films have a sense of violence. That's because I have a broad structure, and if I hit someone, it looks believable. Maybe my contemporaries are meeker-looking in comparison.
With 'Aurangzeb,' I just knew that the film wasn't going to work, though I think it was one of my most underrated performances. I did the film too early in my career, but I stand by it.
Films work due to scripts, characters, and what you see on screen.
Housewives run the home and sacrifice a lot, but many people forget that.