For the first part of my career, I did what I was told, and I wasn't getting anywhere. I'd get in such a state when I was asked to do something, and it didn't feel right, and I'd end up feeling that I wasn't very good.
You can wear yourself out by saying yes to things you don't want to do, and nobody really minds if you say no. I enjoy my own company. I'm never at a loss for things to do.
I don't ever think of myself as coming from a particular class because my father was working class but made his living as a newspaper foreign correspondent - someone of no fixed abode, as he used to say - who was as comfortable dining with the Mountbattens in India as he was having a pint with the boys. He was very gregarious.
I like waking up in the morning and thinking, 'Mmm, I might go to Paris today.' I don't want to ask anyone if they want to come with me or mind me going. I like being my own agent. I have my grandsons and son. If I didn't have them, it would be different.
My teacher at RADA said I was going to have trouble when I left because I wasn't an obvious juvenile lead, although I could do both comedy and drama. But I understood enough to know that my career was going to be a marathon, not a sprint.
I used to lie in bed and imagine I was performing at the Albert Hall, not that I'd ever been there. I took lessons with a German teacher when I was quite young. But it turned out I had a very high soprano voice, which I didn't like at all.