My head is full of songs I'm writing now, and things I am thinking now. I'm not very good at drawing on things that have happened, things I think might happen, or things I want to happen. I'm very much in right now.
When you're young and starting out, a lot of artists think they know exactly who they are. There are others who come out in someone else's skin. They learn to take it off bit-by-bit and work out the core of what they're trying to say.
I'm just focused on getting to the end of each show and feeling like we've done a good job when we walk off stage. And a perfect show isn't necessarily about making the audience feel good. I know I've done my job well if I've made people feel... interesting. I like to leave them a little stunned.
It's been a very strong force for me over the years. I don't know exactly why. For some people, fear can be a very useful thing. They can use it to recognise there's something missing, and heal themselves. But fear can also destroy some people. I think I'm the first type of person. I'm pretty anxious, always thinking 'what if?' about the bad stuff.
If someone says to me that 'Horizon' is an anti-feminist anthem, I have to tell them, 'No, that's not right.' But I'm not interested in unpicking my music for people. Everybody has different reference points.
I think people are particularly interested to see who the real me is, but... different stories call for different approaches and you change based on the experience you want that person to have.
I find that comforting and an equally purposeful way to think, that there's lots of ways to flex both your strengths and your weaknesses.
I think there's strength in seeing somebody who's not necessarily winning at life... to make something that makes people feel like they've won when they hear it.
We've played quite a few festivals now. We can take care of it, no matter where we are.