I don't get dressed up as the character to go audition.
I would say there's about 10 people who know that, that my car was called 'Old Sock.'
I'm just thinking I'm just like a normal actor who gets scripts, and I read them, and... if I enjoy reading them, then that's what's exciting, then I get excited about the audition or the project itself.
Some films, you're lucky enough to get some rehearsal, which is just basic going through the scene, and, 'These are my questions, and this is what I'm trying to achieve,' and you work things out, and maybe a few line changes here or there.
I got the Clarence Durbin Award, the Equity Award - which is cool because it has a cash prize which is cooler than a trophy, especially when you're a struggling actor, and you can't pay rent.
Once you're in a musical, there is a huge opportunity for that, singing and dancing, 'Aha!' and 'Tada' at the end of the numbers; but it's a different kind of discipline you have to go through to maintain that kind of performance.
I would love to work with Joss Whedon again.
I'd love to work with Jed Whedon on 'S.H.I.E.L.D.'
