One of the first jokes I wrote was this nail salon bit that ended up blowing up on YouTube. That's kind of what propelled me into standup.
I crave the variety, I really do. I'd probably say standup as I think that's what I do best, if I may say so. But it can be a really self-absorbed, obsessive way to live your life, whereas doing theatre is very collaborative and creative and intense, I'd hate to miss out on that.
It's weird because standup can be like therapy. Comedians can't be satisfied with just having fun with our friends. We've got to figure out a way to do it on stage.
When I became a standup comic, my hero, one of them, was Richard Pryor, and you know, I think that comedians, like, comedians talk about hacks, and what a hack is, is someone who does stuff that's not original.
Richard Lewis has this incredible ability to look like he's just... you know it's an act that's been honed. What you have to do in standup is create spontaneity, somehow; even though you've done this act a million times, you gotta look like you're almost just thinking of it now, to make it entertainer.
There are many styles of standup, but the comedians I like are people like Dick Gregory and Richard Pryor. Because Richard Pryor told the truth. Chris Rock. I love Chris Rock. He's funny, but he's also poignant. He's not there just to make people laugh; he's there to make people wake up, too.
Before I started doing standup, I knew that I had what it takes to develop an act. I went down to clubs with not many people there, and I just worked on it, man. A lot of my friends are comedians, so that part had a lot of encouragement, even though the shows were very caveman-like.
There's no one on the road that I tried to pattern myself after. There's no one in history that I tried to pattern myself after. Because one thing I was told that in standup you want to develop your own voice.