People would say, 'Boy, I really loved you in Ferris Bueller," and it would really aggravate me. I thought I was a one-trick pony, and people had seen the trick. Now that things have worked out and I've gone on to other things, I'm really pleased that people enjoy it.
You don't want to be a one-trick pony. On a lot of Smiths songs, I used a pick or a plectrum, and for some of the slow songs, I used my thumbs and my fingers. That's why I love the bass - it's adaptable, and you can express yourself so well with it.
Different films, different genres show the different things I do. It's nice because it brings different groups of people to following what I'm doing. So hopefully, it kind of reiterates that I'm not just a one-trick pony as well.
It's not a bad thing to be able to do many things onstage. If you're an entertainer, you should be able to entertain. I'm proud to say that I'm not a one-trick pony.
I think, at some point, all of us - I'm gonna speak personally, not for everybody else - you're gonna feel like a one-trick pony, and you might even be a one-trick pony. But at some point, if it's a really good trick, everybody's still gonna appreciate it.
The things you do early on, people don't know, but once they start studying videos and know what to plan, they know what to expect. So you have to keep on evolving, and according to situations, you have to adapt, because if you are just a one-trick pony, that won't work for a long period of time.