Technology is making design more exciting, with color, wallpaper, textures, fabrics that could never have been created without the technology.
Most magazines have become wallpaper, they're all the same, all the same celebrities. It's really an abysmal time in American journalism right now. But occasionally one story or two will pop out.
Whenever I write for television, I plan the story on whiteboard wallpaper in my office, using a system created by the American writer Dan Harmon. It's remarkably simple: a character wants something; they enter a new world and adapt to it; they get what they want, re-enter the old world and change.
In a small powder room, the inclination is to go with a light wall color. My trick is to do the opposite - such as a patterned wallpaper or a deep color on the walls. It's more interesting and makes a design statement.
The Hewitt sisters were these amazing - both sort of philanthropists and dilettantes who went out and single-handedly collected all of these of-the-moment designs in wallpaper and textiles and in graphic design in order to teach people about design.
Urs Fischer specializes in making jaws drop. Cutting giant holes in gallery walls, digging a crater in Gavin Brown's gallery floor in 2007, creating amazing hyperrealist wallpaper for a group show at Tony Shafrazi: It all percolates with uncanny destructiveness, operatic uncontrollability, and barbaric sculptural power.
I like animals. I like people who like animals. I hate people who love animals to the point they lose their sense of reason. I'm talking the 'my computer wallpaper is my dog,' 'I hang a Christmas stocking for my cat' crowd.
Music is made to be listened to, so you immediately have an issue where you're playing it in the background like wallpaper. Music doesn't want to behave like that.
I definitely start early and keep items in mind throughout the year for key people in my life. I love wrapping everyone's gifts in hand-painted wallpaper sheets, which gives the gift extra love.