I think any activity you have your kids in, you're all trying to live vicariously through them. And you're jealous of the kid that's naturally more talented or has the facility, the body, the genes, or the God-given talent. People get jealous of that.
Some of the greatest stuff that I watch, that I'm drawn to, is deeply flawed human beings, because they're representing a part of us that might not be all of us but the part we're most afraid to look at, and so we get to vicariously experience it through this character.
Back in the days of the Smiths, when we first started touring England - this is, like, 1984 - there were these two girls. They were literally vicar's daughters, and they used to follow us to every gig, no matter where we went.
I think I'm going to have to live vicariously through my daughter's rebellion because I certainly never did go through adolescence.
I don't have a favorite genre. I love to work and live vicariously through every character. It's all about trying to bring the character to life and get the story across in a way that resonates with the audience. It's always interesting and challenging in a gratifying and unique way.
But to be the Vicar of Christ, to claim to exercise his prerogatives on earth, does involve a claim to his attributes, and therefore our opposition to Popery is opposition to a man claiming to be God.
To a degree, rock fans like to live vicariously and they like that, music fans in general, but when indie music sort of came into prominence in the early '90s, a lot of it was TV-driven, too, where if you saw the first Nirvana video, you're looking at three guys that look like people you go to school with.