I'm a huge Hunter S. Thompson fan.
I'm Andrea Thompson, and unless you've been living in a cave, you probably already know that.
When someone dies instantly, then I think the well of grief and disbelief all mixed in with it is unfathomable. And when murder is involved, that just takes it into a whole new place. There is an extra dimension you just can't compute or deal with.
I got quite cross when I heard about Emma Thompson adapting 'Sense and Sensibility.' It was absolutely childish of me, but I thought, 'I should be doing that. They didn't even ask me.' Some mistake, surely.
I have a portrait of Saint Thomas More in my office.
I love the fact that James Ivory made films about Britain, made 'Howards End' and 'The Remains of the Day,' or that Paul Thomas Anderson made 'Phantom Thread.' They're about Britishness, but they're from an American perspective. And I actually think they're fantastic in the way that they understand Britishness.
Coming from a different perspective on a society is really interesting. I love the Paul Thomas Anderson's 'Phantom Thread,' and that's a version of Britishness and Englishness made by an American.
By now, it seems as if everyone has already read Thomas L. Friedman's 'The World Is Flat: A Brief History of the Twenty-First Century.' It changed the way we think about global business, competitiveness and the implication for far-flung economies, governments, education and more.
Even if I see 300 'X-Files' fans together, I can't fathom - I cannot imagine - the audience itself. All I think about is the show and all I think about is why I like it and why I like to write it and why I like the characters and what I have to say through them.
One of the seminal moments I remember as a young punk is, when Roy Thomas was doing an editorial read-through of a book before it went to press, and being so gob-smacked by it, he just canceled it right there.
