I didn't read comic books, growing up. I was more of a science fiction/fantasy novel guy. I loved reading Edgar Rice Burroughs' 'Tarzan' and that kind of stuff.
Not only that, but when I first met Joe, to my intense delight, he showed me that he was a collector. He was collecting some of the early Tarzan pages by Hal Foster, and, later, early Flash Gordons; and I found that we were both absolutely interested in the same type of thing.
'A Princess of Mars' may not have exerted the same colossal pull that Tarzan had on the global imagination, but its influence on generations of readers cannot be underestimated.
The way we got Phil Collins for 'Tarzan' was that we heard around the studio that he was looking for a Disney project, and we got him. It seemed like a perfect match. Phil is a great musician.
I sat with the grandson of Edgar Rice Burroughs at the world premiere of 'Tarzan,' and at the end of the film, he was very happy. He told me that we were bringing 'Tarzan' to a whole new generation, and he was very grateful.
From the very, very beginning, we made the decision that 'Tarzan' wasn't going to sing. My co-director, Chris Buck, and I said to each other that we couldn't imagine a half-naked man in the jungle simply bursting into song.