I think that's the most important part of doing this job, is learning different personality types. I mean, it's kind of like sociology or psychology in a sense. With that, and with every project I do, I think I'm able to pull something away that further makes me understand humanity in a way I didn't before.
People have been predicting the death of philosophy since the 17th century. When I was a student, people were saying, 'We're in the last days of philosophy.' Then we were told in the '60s it would be replaced by sociology, then by literary criticism.
Rich people never go to war. You ask a college kid to go to war, and he's like, 'Umm, I'm taking this sociology class, and I think war is, like, really stupid, and my roommate's, like, half Afghani, so it's going to cause some static.'
People keep asking how anthropology is different from sociology, and everybody gets nervous.
Songs sometimes are so connected to the sociology of the time.
Once upon a time, I was morbidly sensitive about the impertinence born of sociology. Taxi drivers would not stop for me after dark; white girls jogged to keep ahead of my shadow thrown at their heels by the amber street lamps. Part of me didn't blame them, but most of me was hurt.
My background is sociology. Combined with my graphic approach, if I could do some film projects, I think I'd be very good at making documentaries eventually, but people don't think of me for that, of course. But dialogue is something I know I can be good at.
The only school that let me in was U.C. Santa Cruz, which is where I went. They didn't have a journalism program, so I took sociology, which is the closest thing to journalism.