You have a guy like Bernie Madoff literally steal $80 billion, you know, AIG steal hundreds of billions, Goldman Sachs. Crime has changed so much, and to really do a movie with, like, drug dealers or drug smugglers is kind of almost quaint at this point.
Simply that we are mirroring the trends in society, at any given time smuggling was an issue in the seventies, corruption is an issue today, and we faithfully reflect those issues.
What really destroyed Tucker Carlson, respected magazine journalist, was TV. TV exposed him as glib, smug, and not nearly as clever as he thought he was.
In the real world, I see conservatives volunteering at adoption agencies, at churches, at bake sales and the local American Legion Post while the only charity a progressive sends is a smug sermon on fair share and what fairness is.
Carrickmacross always had a border mentality. Smuggling would have been a big thing there in the past; there would have been spillover from the Troubles in Northern Ireland.
The beauty of the horror genre is that you can smuggle in these harder stories, and the genre comes with certain demands, but mostly you need to find the catharsis in whatever story you're telling. What may be seen as a deterrent for audiences in one genre suddenly becomes a virtue in another genre.
There's always something at least a little smug about self-reference - magazine articles about idealistic journalists, TV shows about TV actors, ironic films within ironic-er films: all this meta-media populated by thinly disguised characters making oblique inside jokes.