In comparison to an able-bodied person, it's incredible, the amount of extra resistance I have, in comparison to an able body.
I really believe in non-violence, but I also believe in a short of resistance that has to be respectful.
Every therapeutic cure, and still more, any awkward attempt to show the patient the truth, tears him from the cradle of his freedom from responsibility and must therefore reckon with the most vehement resistance.
Whether or not you call it Black Lives Matter, whether or not you put a hashtag in front of it, whether or not you call it the Movement for Black Lives, all of that is irrelevant. Because there was resistance before Black Lives Matter, and there will be resistance after Black Lives Matter.
The body of work I create combines traditional storylines and postmodern narrative strategies to approach themes such as belonging, identity politics and conflict, as well as the push towards - and resistance against - modernization.
In Germany, you have a huge official memorial to the murdered Jews and then you have this artist who's been putting these stumbling blocks, these brass cobblestones, outside the houses Jews were taken away from. It's somewhat controversial and has met some resistance.
What I can't tell is, I don't know if there's a subliminal resistance to the idea of a sequel to 'The Phantom of the Opera' anyway.
Because of my intense hopes for the youth of China, I feel very keenly my responsibility for their future success or failure. The fate of China lies in their hands. The responsibility for organizing and training them to become worthy citizens of China, able to undertake the tasks of Resistance and Reconstruction, is mine; I cannot evade it.