The greatest question of all is whether our experience on this planet is 'it' or whether there is something else. Things in the supernatural realm give support, strangely perhaps, to the things we take on faith.
I happen to love engineering. I love figuring things out in a spatial sense, that whole realm of working with mechanical parts, and the relationship of the parts, and things like ratios and the speeds of particular objects.
The greatest impediments to changes in our traditional roles seem to lie not in the visible world of conscious intent, but in the murky realm of the unconscious mind.
I spent a long part of my childhood repressing my more animalistic desire systems, and in a way, it permits me to do some of the stuff that I would want to be doing in a way that's more comfortable and doesn't break my internal rules. It expands the realm of possibility.
All of the art that I love is about peeling back layers and delving into something that's in a subconscious or dream realm. People like Jan Svankmajer, or the artist Yoshimoto Nara, or David Lynch.
I have always wanted to do Broadway, my whole life, but I never knew I'd actually make it - it's a dream; it's never been in the realm of possibility. So to be doing 'Hello Dolly!,' it's not just Broadway, but it's the most joyful, sort of classic Broadway experience with the most extraordinary company.