I'm pretty lucky to work on both 'CSI: NY' and 'Supernatural.' Not bad gigs!
Modern society has evolved to the point where we counter the old-fashioned fatalism surrounding the word 'cancer' by embracing the idea of the Uber-mind - that our will possesses nearly supernatural powers.
I think the hardest part about making a scary film is about being able to retain the mystery, especially when it comes to supernatural stuff.
This house I grew up in was built in the 1800s, and the back yard was like a cemetery. Naturally, I grew up in an environment where ghosts and supernatural things were very unnerving to me, because my brothers and I dealt with it on a daily basis.
In my own life, I think legends of supernatural, mythic things are really just a manifestation of the collective unconscious. So I don't really get freaked out. I mean certainly, you read about things people did to each other in the pursuit of some mystical or occult goal, and it's horrifying. But that's just human nature.
I always choose to look, as much as one can, at the supernatural not being something that exists outside of nature, but a deeper, fundamental heart of nature that perhaps humans... have lost touch with. It's a more primal thing than perhaps we are attuned to in our modern, self-aware way of life.
My manager got the script for 'Under the Dome,' and I read it and just fell in love with the character. I grew up on Stephen King, and I love his whole aesthetic of the classic American story with supernatural events happening, so it just made sense.
My first book was signed up when I was 13, and I've been writing ever since. But penning the 'Halo' series has been so much more rewarding than I ever expected. For three years, from the age of 16 to 19, I poured my life, my experiences, and a love for the supernatural that dates back to childhood into these books.
I'd read a lot of books where the girls are in awe of the supernatural male, so I thought it was time to write about an awesome and super-powerful female who is also quite vulnerable and naive about life on earth.
I always try to have my supernatural or fantasy elements feel grounded in reality so they're easier for the reader to accept and digest.
