I was born in a family of landless peasants, in Azinhaga, a small village in the province of Ribatejo, on the right bank of the Almonda River, around a hundred kilometres north-east of Lisbon.
I come from a long line of below-stairs maids and gardeners. Good ol' peasant stock. My mother and her sister made a quantum leap out of that life. Then I made another quantum leap.
Peasants, who after the liberation of the country became the masters of their lands and their country under the benevolence of Comrade Kim Il Sung, launched the campaigns for increasing agricultural production and donating cereals out of patriotism, and thus faithfully supported the Party's line of nation building.
I am an African-American woman of dark skin tone, and there are very specific roles that are usually given to African-American women of a darker hue. Let's start with 'Once on This Island': peasant girl. Let's go to 'The Color Purple': young girl, beaten. Let's go to 'Ragtime': Her baby's taken.
The sole and basic source of our strength is the solidarity of workers, peasants and the intelligentsia, the solidarity of the nation, the solidarity of people who seek to live in dignity, truth, and in harmony with their conscience.
I was born in April of 1966, on the eve of the Cultural Revolution. Soon after, my parents and grandparents all lost personal freedom simply for being intellectuals. So I spent most of my childhood rotating between adopted families of peasants and coalminers.
Farmers, young and old, educated and uneducated, have easily taken to the new agronomy. It has been heart-warming to see young college graduates, retired officials, ex-armymen, illiterate peasants and small farmers queuing up to get the new seeds.
In America there are none poor, and none even that can be called peasants. Each citizen has some property, and all citizens have the same rights as the richest individual, or landed proprietor, in the country.