When I think of 'Instagram models,' I say you have to take baby steps. You cannot just walk straight onto the runway.
With his gigantic personality, my grandfather burst onto the great political panorama of that era made up only of little men with little ideas.
I've always had a passion for dancing, and I wasn't lucky enough to go to stage school, so when I got onto the show, I was like a kid in a sweet shop. I went into it just to have fun. The support was overwhelming, to say the least. It wasn't until the end of the show that I realised how much I really wanted to win it.
Everywhere I go, every city, they're always like, 'What's in the water in Canada? What's in the water in Toronto?'
The bad guy in any good storytelling is always, in some weird way, a mirror for your hero's journey and for the challenges that they are facing and is some weird physical externalization of that fear that the character is holding onto and has to overcome.
I'd say we do reach somewhat of a younger audience, but I think for the most part that younger audience is picking our music up from a brother or sister or even parent, who is turning them onto the band.
Every time you step onto the field, you have to set goals. My goals are to either score a goal, to have an assist, or to play well.
Sticking to a routine helps you get in the zone for the match. I always put my left shinpad on before my right. When I go out onto the pitch, I take three hops on my left leg - but I don't know why I started. I must have seen Messi do it or something.
Growing up on a set is completely different than coming onto a brand new set for the first time.
It is not, of course, complete yet - but some sentences were understood this afternoon... I feel that I have at last struck the solution of a great problem - and the day is coming when telegraph wires will be laid onto houses just like water or gas - and friends converse with each other without leaving home.
