Whenever I start to really think about what I'm playing, I may play it better musically, but the feeling isn't there.
My 9-year-old daughter can recite every line from 'Easy Rider,' and that is not an easy song to do. She raps all of Nicki Minaj and everything; she's dope. She has my musical ear for sure. She sings, and she's beautiful. It's very powerful.
I come from a musical family as well as a culinary family.
I'm obsessed with musicals.
I try not to get trapped in any one musical or visual style at all.
I love plays that have musical moments. I'm not a big fan of musicals per se, but I love straight plays that have musical edges to them. I don't know if I will ever be able to structure a musical, but 'Finer Noble Gases' is as close as I've gotten.
Musicians don't respect a lot of the stuff that is on TRL and a lot of musicians think that stuff on the radio is not good musically so when musicians say that they like us it obviously feels good.
I prefer musicals, because I am the best dancer who ever lived. The best plies, the best sashays, and by far the best-smelling Capezios.
I think with musicals, it's much more part of the script. They don't want songs that would stop the show; they need songs that keep the plot moving.
I feel like a lot of my past career was going to film school, making a lot of different kinds of movies. I made a bunch of comedies, I made one drama and I made a couple musicals.
