I was lucky that when Lorne Michaels came looking for women comedy writers, there weren't too many in New York at the time. I was at the top of a very short list. I think that was all good fortune.
Pete Davidson - he's in the movie 'Trainwreck.' He has a small part in it. I told Lorne Michaels about him, said he was really funny.
At the beginning of each week at 'Saturday Night Live,' we have a full cast meeting where Lorne Michaels introduces the upcoming host.
You know, the funny thing about Lorne and that show is that, you can go over one million things, but in a business of bean counters, he still likes to laugh at small things and creates a show around it.
'Saturday Night Live' was actually started with a show that Lorne Michaels and I did at a summer camp called Timberlane in Ontario when we were 14 and 15. We would do an improvisational show with music, comedy and acting.
I could listen to Lorne Michaels tell stories for a hundred years.
I really didn't want to leave the show, but I got a chance to do a movie, which meant I would have had to miss two shows, and at the time Lorne had a policy where you can't miss shows, so I left.
I met musician Ken Farmer in Lorne and he lent me all of his Bessie Smith blues LPs. That's when I started to sing.
I admire my boss, Lorne Michaels. He never stops producing. I think, for him, comedy is a tool of compassion, a way of rallying people together and saying, 'Guys, isn't the world bonkers? Aren't we all just trying our best?' There's a tenderness in everything he does.
When I started as an assistant at 'SNL,' I got my eyes on Kristen Wiig and was able to bring her for an audition for Lorne Michaels and the other producers. Turns out, Kristen Wiig can give you some street cred early on.
