'Getting On' is just the coolest experience ever, and working with people like Laurie Metcalf, that's the joy. That's what I love about it.
I wrote a query letter to an editor - a friend of a friend. The editor called me an idiot, told me never to contact an editor directly, and then recommended three literary agents he had worked with before. Laurie Fox was one of them, and I've never looked back.
Granted, it's not easy to be a super-tall woman in Hollywood. But there are times when it works in my favour. In 'The Night Manager,' for example, both of my co-stars, Hugh Laurie and Tom Hiddleston, are also well over 6 ft. and it was lovely to look a co-star in the eye and not have them standing on an apple box!
I have to say that filming 'The Night Manager' was not just amazing but also very daunting at first. I used to describe myself as the token plebeian surrounded by all your national treasures. All that glittering talent in one place; I knew Hugh from Fry and Laurie videos that my grandpa used to watch, and Tom Hollander's 'Rev' is hilarious.
Her mother, Laurie Simmons, is a contemporary artist, and my stepmother, Cindy Sherman, is a photographer, so they've known each other forever. Lena and I were often at the same dinner parties when we were kids.
I think Hugh Laurie is awesome. You just want to loathe that guy in 'House' because he is not a friendly person, but somehow or another, he is profoundly charming.
There wasn't much work around at the time, I think I found a bit in Germany or something, but we played together and somehow the bassist Laurie Baker got involved as well - I can't remember exactly how.