I am there to entertain. I call my work high escape fiction; it's high, it's good - but it's escape, and I have no delusions about that. I have no ambition to be a serious writer, whatever that means.
Le Carre's voice - patrician, cold, brilliant and amused - was perfect for the wilderness-of-mirrors undertow of the Cold War, and George Smiley is the all-time harassed bureaucrat of spy fiction.
If I'm a genre writer, I'm at the edge. In the end, they do work like genre fiction. You have a hero, there's a love interest, there's always a chase, there's fighting of some kind. You don't have to do that in a novel. But you do in a genre novel.
'The Levanter' features some of the strongest action scenes to be found in Ambler - who can, in some of his fiction, stay in one place for a whole novel.
I spend my life writing fiction, so reading fiction isn't much of an escape. That's not always true, but I don't read much contemporary fiction.
When one studies the properties of atoms, one found that the reality is far stranger than anybody would have invented in the form of fiction. Particles really do have the possibility of, in some sense, being in more than one place at one time.
I have for a long time loved fabulist, imaginative fiction, such as the writing of Italo Calvino, Jose Saramago, Michael Bulgakov, and Salman Rushdie. I also like the magic realist writers, such as Borges and Marquez, and feel that interesting truths can be learned about our world by exploring highly distorted worlds.
All writers have roots they draw from - travel, work, family. My roots are in science and it is fertile ground for fiction.
Science fiction sometimes is fun because it reaches so far in the future.
It shouldn't be so difficult to determine what a planet is. When you're watching a science fiction show like 'Star Trek' and they show up at some object in space and turn on the viewfinder, the audience and the people in the show know immediately whether it's a planet or a star or a comet or an asteroid.
