When I finally got up to Industrial Light And Magic to work on the 'Star Wars' movies as a model-maker, it felt like dying and going to heaven.
There's probably somebody out there who has been dying to be Tony Stark, their whole life, and it will never happen. And then, it comes to me because I happened to do 'Heroes.' I mean, I love it. I'm totally respectful of the position, but I wasn't pursuing it.
I intentionally approached each story in 'Killing and Dying' in a different way, and that includes the writing process.
A lot of the qualities in 'Killing and Dying' is sort of a response to work I'd done previously. I wanted to push myself in some different directions.
As you mature, you start reading and studying and researching, you start to really know what life is about.
In the 1970s, what I, as a young foreign student studying in the United States, found most dynamic, exciting and impressive about this country is what much of the world continues to value most about the U.S. today: its open intellectual culture, its great universities, its capacity for discovery and innovation.
I was in a Bible study, Henry Blackaby's 'Experiencing God,' and I started to experience God as I was reading the pages of this workbook and studying scripture with some friends, and we all just searching to fill that void in our lives.
I was studying to be an architect, I wasn't plotting to join the movies. Films were just another career option. I took acting up with the same schoolgirl enthusiasm I had for examinations. Acting is a job and I take it very seriously.
Studying acting has been personally enriching because it has taught me to take the time to imagine what someone else's life experience might be like. To look deeply at how our pasts and the circumstances of our early childhoods mold us as people.
When every piece of furniture and your underwear are taken by the bank, when you lose your house in Florida, in New York, in Amsterdam and L.A., when your wife is dying and your son abandons you, you don't feel very good.
