My favorite designer is Christian Lacroix, not just because his clothes are amazing and I love them, but because he's so nice. When I did his fashion show, he was the first one to arrive there and he helped everyone.
My actual first summer internship was in the design department of Clinique.
I'm a very visual person, and I love opening beautiful books on art or design and looking through them.
I have been fully involved in designing my stage shows; it's important to me to do something really unique and almost off-the-wall to bring the music and the visuals together. I love design and actually went to school for a bit for graphic design, so it isn't so much 'pressure' for me; it's a way to be creative, and I really enjoy it.
I have the same sense of discovery and exhilaration from objects of design and everyday use - I am inspired by the buildings in my city, by park greenery and dazzling store windows, by the jaunty strollers and umbrellas and billboards I walk past. Just strolling our streets, we encounter creativity every single day.
I see the Beijing National Stadium as an architectural project. I accepted Herzog and De Meuron's invitation to collaborate on the design, and our proposal won the competition. From beginning to end, I stayed with the project. I am committed to fostering relationships between a city and its architecture.
Everyone wants an iPhone, but it would be impossible to design an iPhone in China because it's not a product; it's an understanding of human nature.
The 'Bird's Nest' National Stadium, which I helped to conceive, is designed to embody the Olympic spirit of 'fair competition.' It tells people that freedom is possible but needs fairness, courage and strength.
There's no conversation happening between plus-size women and designers. The door is never open.
Rules designed for the Ma Bell monopoly during the era of rotary phones were a poor fit for the greatest innovation of our time, the Internet.
