With 'The Social Network,' I got into it at first because frankly I thought there was a cool courtroom drama to be had with the intellectual properties. And then what further drew me in was that the most extraordinary social networking device ever created was created by the world's most antisocial person. I liked that story.
I have a lot of respect for people who are great at ad-libbing and for writers and directors who are able to create a scene in which that works. Judd Apatow is fantastic at it. But as an audience member, I like the sound of something that's been written - I like it to sound written.
When I create a TV show, it's so that I can write it. I'm not an empire builder; my writing staff is usually a combination of two kinds of people - experts in the world the show is set in, and young writers who will not be unhappy if they're not writing scripts.
One thing I always did in my career was writing. I always was writing. I was trying to create things. For myself, for other people.
We couldn't pitch the show without having created one, at least one 20 to 25 minute version of 'Broad City.' We wouldn't know how to describe it.
I think you have to create your own stuff so I'm working on stuff for myself right now.
The testimony of former abortion workers can help persuade lawmakers to create fair laws that protect women from dirty abortion facilities.
I create stars.
I like to choreograph and create and design the costumes and do it all and then step back and watch it and then move on to the next project.
There is a dire need to create awareness regarding proper and safe use of laboratory equipment among lab workers and assistants, since it not only affects the worker but the people attached to them.
