Pop music can absorb so many peculiar talents, ranging from the completely nonmusical poseur who just uses music as a kind of springboard for a sense of style, to people who just love putting all that complicated stuff together, brick by brick, on their computers, to people like me who like playing conceptual games and being surprised.
Maths should be more practical and more conceptual, but less mechanical.
Traditional conceptual art is very dry.
Even though people think I am more of a conceptual artist, I am actually very intuitive. For me, it is still a matter of allowing things to naturally rise to the top of my mental pile, and then I make them.
I have an unusual type of thinking. I have no visual memory whatsoever. Everything is conceptual to me.
I try to look at design from a more conceptual standpoint.
Great art - or good art - is when you look at it, experience it and it stays in your mind. I don't think conceptual art and traditional art are all that different.
Unlike the issue of messiahhood, which arose when Jews and Christians were members of the same religio-political community and spoke the same conceptual language, the issues of the incarnation and the Trinity divide people who are no longer members of the same community and who no longer speak the same language.
Both European and American historians have done away with any conceptual limits on what in the past needs and deserves investigating. The result, among other things, has been a flood of works on gender history, black history, and ethnic history of all kinds.
I do think from time to time that conceptual questions arise: What do we mean by equilibrium? What do we mean by this concept and that concept?
