It is the woman - nearly always - in spite of all the advances of modern feminism, who still takes responsibility for the bulk of the chores, as well as doing her paid job. This is true even in households where men try to be unselfish and to do their share.
I would say that no film is apolitical. There are politics in all films. Any film that is anchored in a society, any film that deals with humanity is necessarily political.
I was always interested in choreography - in making people think and feel something.
There are as many attitudes to cooking as there are people cooking, of course, but I do think that cooking guys tend - I am a guilty party here - to take, or get, undue credit for domestic virtue, when in truth cooking is the most painless and, in its ways, ostentatious of the domestic chores.
To combat the monotony of gym workouts, I started playing soccer. I looked at workouts as training sessions. My soccer training includes squats, pushups, resistance-band work, and sprints. Ninety minutes of running became part of my love of the game rather than a chore.
I love to go home and do the chores and read.
War is chaotic and when you start having a larger scale film and you have a lot of safety protocols and choreography, I would imagine it becomes more difficult.
I think cooking should be an experience, not a chore.
Don't get confused; doing choreography in the ring can be done by anyone. I take the guy who works in the gas station on the corner, and I teach him a choreography for a week, and I swear he can do it in a ring.
Putting yourself in the ring to wrestle - create those emotions, ups and downs within the match - one moment dominates the one, and one moment dominates the other, and without having created a choreography, that is the real wrestling.
