At its best, a live show is completely transcendent. The image I get is breaking through glass or shooting out into the free zone.
The scripts of 'The Wire' are fantastic - the scripts of 'Breaking Bad,' the scripts of 'Mad Men,' the scripts of 'The Sopranos,' the scripts of 'Battlestar Galactica.' You could keep going on. They're incredibly well written.
Coming out of Juilliard, I honestly was expecting and willing to be breaking my neck, hustling, and being unemployed for a decade, two decades. I was gritting my teeth, but I was so down to do that.
I can be rather obsessive - especially when it comes to breaking through to the next level as an actor.
I made promises to myself and my family that I'd be in the UFC before my first daughter was born, that didn't happen. I was almost at breaking point a week before I got that contract, I was going to go back to concreting - that weekend I get my major sponsor, which was huge, and I end up getting my UFC contract the weekend after that.
Familial betrayal is, to me, the most heartbreaking kind - because if you can't trust your family to love you and protect you, who can you really trust?
The surface of American society is covered with a layer of democratic paint, but from time to time one can see the old aristocratic colours breaking through.
It's seldom that you find great moments in television. Usually you remember - in 'Breaking Bad' or any of these other great shows - you remember situations or characters. Not moments. But I have to say, I can make the same argument for mainstream movies, which have bad narratives and also no memorable moments.
We pitched 'Sightseers' as a TV idea originally, and it was rejected because it was too dark. But then things like 'Dexter' came out, 'Breaking Bad'... There are so many sophisticated dramas now with comic elements to them.
It's heartbreaking to see theater people be forced to accept the business side of show business.
