My mom and sisters liked to sing and we would jam at home very often. I would also jam a lot in college, where I formed a fusion band and played the keyboards.
In the age of activism that is clearly not going away, it would seem that some form of engagement from directors with shareholders - rather than directors simply taking their cues from management - would go a long way toward helping boards work on behalf of all shareholders rather just the most vocal.
I serve on a lot of charitable boards - the areas of mental health parity, services for those that are underserved, and certainly children's rights are things that I believe in very, very strongly.
I've got four or five records in my head at a time that I try to work on and I would like to do a guitar trio record next - since The Police I've mostly made records with keyboards.
I would like to play with electronic keyboards again.
We're long past having to defend or explain why women should be on boards, given all the data that shows how companies with female as well as male directors perform better. It's unfortunate when companies with a large percentage of women constituents don't reflect that in their boardrooms.
Brian Eno is an iconic and omnipresent pioneer in the world of ambient music, but he's gained real staying power while working behind the boards. He's produced albums for some of modern music's most influential artists, including Devo, David Bowie, U2, Coldplay, Peter Gabriel and Talking Heads.
I like Stevie Wonder as my favorite non-pianist pianist. I mean, I shouldn't call him a non-pianist, because he's really a great pianist, but he doesn't feature it that much - he uses his keyboards and his piano technique to support his great songs and so forth, but he can really blow.