I don't look at her like she's a bad girl. She just misunderstood sometime, she's a little troubled, she's a little dysfunctional. She's a survivor.
I think I can deceive people. I'm like, the nice, sweet girl when you meet me. And I don't have any bad intentions. But I'm a bad girl too.
There is nothing better than playing a bad girl for two months, then turning around and playing someone sweet. Films give you this opportunity.
I prefer working on films. I like the variety. There is nothing better than playing a bad girl for two months, then playing someone sweet for the next two. Films give you this opportunity.
I think whenever people talk about the 'Anna Sui woman,' they're talking about someone that's probably kind of more downtown, and there's always like this ambiguity: Is she a good girl, or a bad girl?
It used to be the one or the other, right? You were the 'bad girl' or the 'good girl' or the 'bad mother' or 'the good mother,' 'the horrible businesswoman who eschewed her children' or 'the earth mother who was happy to be at home baking pies,' all of that stuff that we sort of knew was a lie.
I mean, a lot of the times I think I'm seen as a bad girl, and I think that's because I'm so open.
I was like the good girl, bad girl, there were no grey areas for me.
As a bookish child in Calcutta, I used to thrill to the adventures of bad girls whose pursuit of happiness swept them outside the bounds of social decency. Tess of the d'Urbervilles, Emma Bovary and Anna Karenina lived large in my imagination. The naughty girls of Hollywood films flirted and knew how to drive.
The whole point of remaining on cable is to remain true to who I am. That's a bad, bad girl that got a big job.
