I've been working as an actress and sort of struggling along for ten years, so I've been on a million auditions for a million things I haven't booked.
If you only live in the world of the actor, and if you only live in the world of auditions, etc., then you don't really have a whole lot to offer when it comes to playing the humans that you're trying to audition for.
What's so kind of beautiful about the whole thing was that everything that made me not right for all of those hundreds of commercial auditions that I went on and no one ever wanted me for is what made me perfectly right for 'Real Women Have Curves'.
Before 'Kai Po Che', I used to go for auditions in the hope that I will get work and should be able to pay my monthly house rent of 20,000 in 4 Bungalows, Andheri, Mumbai.
Yes, there was a time when I failed to understand the system. I would go for auditions, but I wouldn't get any parts. I wondered why this was happening.
This business - the auditions, the anxiety - it's all so, aaah, crazy! But I can always call my mom in Cuba to be reminded of what real life is.
I had done a couple of auditions for 'Amistad' and didn't feel it was going to go any further - and then the call came about heading to Los Angeles to work with Steven Spielberg. It was surreal: exciting, challenging, overwhelming.
There are so many ways to get involved with 'The Voice.' There is the open call, which tons of people are from. Of the people that you saw that made it past the Blinds, the majority are from open call auditions. They went through every round before you see the Blinds. But weirdly enough, I received a phone call.
I'm horrible at auditions anyway. Maybe that's why I never got anything.
Auditions are so much fun. A lot of people dread auditions; they think they have to do it in order to get the job. I don't really mind if I don't get the job, as long as I get to do something interesting in the audition. It makes me feel more creative as a person.
