When I'm not on tour, my band have to do pantomime. I want to do big gigs to earn them money.
A lot of young people have not a clue what being famous entails. When you lose your anonymity you can't walk down the street without people looking at you.
My music life is great. It's in the real world, that's where I have the problem, sometimes relating to people. I can be angry, you know, still really dark in my mind.
The Queen wanted me to do the music for the 2000 celebrations at the Dome. I went down to these offices at Buckingham Palace and had a meeting with these people, and I was like, 'Alright how much?' And they said, 'Well no, it's for the Queen.' They thought because it's such a huge thing, I'd do it for free! So I turned that down.
I can remember arguing for two days with Mark Saunders about 'Strugglin'.' He said: 'This can't work. It's not musically correct.' And I said: 'If I can hear it in my brain you can't tell me it can't work.'
My background was Rude Boys, Teddy Boys, rockabillys and skinheads. I was into reggae and Blondie and The Cure, and especially The Specials - these black and white guys getting it together. Extreme personalities. Extreme talent.
I spend 70% of my time laughing. I don't walk around all dark. I might take my photos like that because I'm not a clown. But I'm a really soft, feminine, gentle, normal guy.
I'm like anyone else, if I'm not having a good time you'll hear it.