During the pilot, director Len Wiseman and I discussed how Lucifer views humanity, and we can came up with this notion that he sees them as lab rats.
I'm not a blokey bloke. I don't take myself too seriously. But that doesn't stop me being a bad person sometimes and doing things I regret. Such as having a child with someone you've split up with, then falling in love and wanting to spend the rest of your life with someone else. That's quite difficult.
Both my daughters are both so unimpressed when they see me on television. I want them to say, 'Oh, Dad!' But I say, 'Who's that?' and they say 'Dad' with no real interest, even if I'm wearing a long wig and riding on a horse! I think I'll have to read a 'CBeebies' bedtime story instead.
As an actor, I enjoy variety. That's a big thing for me. So, if I'm going to put my name to something and commit to something that's going to take up a lot of my time, it has to be something that I know is going to be enjoyable and worth my while. Otherwise, what's the point?
You meet Rush at a certain point in his life where he's made a decision that he's going to not live by the moral code of being a doctor. He's decided to disengage with that side of his life for various reasons, which we find out through the first season.
I walk in, and people go, 'Oh, look who it is! It's the devil! Speak of the devil!' It's fun. I'm having a lot of fun. I'm not going to lie. It's a little bit like being able to say anything you want to and getting away with it. 'Rush' was fun because he thought he was immortal, but this is more fun because Lucifer is immortal.
I have a transient lifestyle. America is where I come to work, but my home is London. I like being bi-continental.
My life changed in 2005 on the day I met my wife, Tamzin. She was in a play called 'Breathing Corpses' with James McAvoy, one of my best mates from drama school. I knew who she was, and I'd fancied her quite a bit when she played Melanie Owen in 'EastEnders.'
This is going to sound so boring, but I play golf in Hertfordshire at a club called Sandy Lodge just by Moor Park Tube station. It's where I unwind and don't think about anything else.
What I really wanted to do was take this character and go beneath the veneer of Lucifer. Underneath it all, there was a guy who was a hurt soul and rejected from his father. How that played upon his choices was kind of interesting, but also it's going inside a shell of someone who doesn't know what an emotion is.
What people like to comment on a lot is that I grew up in a religious family; my father is a pastor, and now I'm playing the devil. Thankfully, my family see the humorous side of the job.
My eldest daughter's been to a few sets of mine and gets spoiled when she's doing her nails, her hair. Though more often than not, you bring them to set, and they realize the filming process is pretty boring.
When I was eight or nine, I came to London for the day from Swindon and went to The National Gallery. I remember standing in Trafalgar Square with my best friend Tim, who was covered in pigeons because I put bird seed on his head.
I couldn't afford to go to drama school in London. Then I met with the Royal Scottish Academy of Music and Drama in Glasgow, and I fell in love with the city. It was one of the few schools that offered me a place. It didn't do me any harm.
My take on 'Lucifer' was pretty much laid down by Tom Kapinos when he wrote the original pilot script for it. I remember reading it for the first time, and I was about four or five pages in, thinking this is so funny, and I know how I would want to do this if I was going to do it.
There's something really charming about a character that is fundamentally flawed and does some pretty despicable things, but yet you still kind of love him.
I grew up on the very human side of Christianity, so messages in the household I grew up in were about peace, love, and being understanding of everybody, which I think is quite cool.