When you get older, you start to doubt, and you put limitations on yourself. But little Teyonah had no fear.
Ever since I was maybe nine or 10 years old, I'd say, 'I'm gonna be an actor, and I'm gonna go to Julliard, and I'm gonna be in movies.' My parents never said, 'What's your backup plan?'
Every time I get a role, or the opportunity to explore a role, I look at it, and I think, 'What is the story we're trying to tell here?'
When you have filmmakers like Justin Simien, writers, producers, actresses like Lena Waithe, who are people of color, they're creating their own content and saying, 'You know what? We're not going to wait on someone else to tell our story. We're going to do it ourselves. You can be a part of it or not.'
The person that inspired me throughout most of my childhood was Angela Bassett.
I love my 'Survivor's Remorse' cast. They are so funny and crazy, like a big dysfunctional family. It's so much fun, and I love the issues that we talk about on that show. We deal with nuanced and controversial issues, and we do it in a way that's funny. It's comedy.
Why aren't there films being made that tell ethnically diverse stories? Or why is it so impossible to allow a person of color to add their texture and their essence to a role that is not ethnically specific? I don't know why it's a novel or risky idea to consider making a film look like how our world actually looks today.
I think people need to watch 'Chi-Raq' because you need to know what's happening in your back yard.
It's no coincidence that the cities with the highest rates of violence also have the highest rates of unemployment. There are not many opportunities. We have to address that, starting from the government down and the grassroots up.
I think social media is a slippery slope because while you're projecting something out to people, they also project back onto you what they want to see.
My dad, bless his heart, always told me I was beautiful, so I was never self-conscious in that way. But when you look at the images on TV, you think you need to look like that in order to be sexy.
As a girl, I remember looking up to pop singers, and they all had long, straight weaves and light skin. And I thought, 'That's what I have to look like if I'm going to be fierce and sexy and all those things.'
It's important, as a young person of color, to see yourself reflected in the media.
I don't even watch basketball. I can't even pretend.
Generally, when I'm going to a new project, I take my own makeup. I'll explain to them what it is that I would like. If they are receptive, we figure it out together. If they're not, I'll be going to back to my trailer and doing my own makeup. And that's the same for hair.
You have to really understand and appreciate who are you are and know who you are and what you have to offer people - not just a man but people! This helps you have something to stand on. Know your value and what makes you valuable so you can always go back to this.
I think, no matter who you are, at some point in your life you've probably said, 'OK, well, who am I, and where do I fit in?'
When they asked, 'What do you want to be when you grow up?' I said, 'I want to be a model and an actress.' They said, 'Why?' I said, 'Because I can look good and get paid to do it.' That's the kind of kid I was.
I had been getting relaxers since I was eight or nine. I had no clue. It was a personal mission to really find out who am when I'm not altering myself to look like anybody else. Who am I when I wake up and I don't do anything to my hair? Who is that woman? I want to meet her. And that was what catapulted my journey into going natural.
I went to this arts high school in Greenville, S.C. In speech class, the teacher, a white man, would say, 'You're talking ghetto. Don't talk ghetto.' I'm not only offended, but I'm confused because while there's nothing wrong with people who come from the projects or the ghetto, that's actually not my experience.
