Barack Obama is an elegant and literate man with a cosmopolitan sense of the world. He is widely read in philosophy, literature, and history - as befits a former law professor - and he has shown time and again a surprising interest in contemporary fiction.
Each time I caught sight of geese swooping in formation across the sky, I wondered how our life below might look from their perspective, and imagined that, were they ever to indulge in such speculation, the high-rises might seem to them like firs massed in a grove.
One of the chief characteristics of a mob is its quickness. It is sudden. It pounces.
In 'Open City,' there is a passage that any reader of Joyce will immediately recognise as a very close, formal analogue of one the stories in 'Dubliners.' That is because a novel is also a literary conversation.
Breughel is an example of an artist - I mean, this is true about artists and painters in general, but he is a specific example of an artist whose work contains more than you think it does at first glance. Whose work rewards, sustains attention and looking.
For purposes of marketing, writers are designated as poets, novelists, or something else. But writing is about matchmaking, an attempt to marry sensations with apt words.
To read Transtromer - the best times are at night, in silence, and alone - is to surrender to the far-fetched. It is to climb out of bed and listen to what the house is saying, and to how the wind outside responds. Each of his readers reads him as a personal secret.
I was in New York City on 9/11. Grief remains from that awful day, but not only grief. There is fear, too, a fear informed by the knowledge that whatever my worst nightmare is, there is someone out there embittered enough to carry it out.
We have for too long been taught that the sight of a man speaking to himself is a sign of eccentricity or madness; we are no longer at all habituated to our own voices, except in conversation or from within the safety of a shouting crowd.
Punitive murder by the police and by vigilantes has existed in all societies at some point, and probably still exists in most.
The original sense of the word 'influence' is 'to flow into.' For the most part, these writers that I admire... their style flows into me without my intervention, which is what explains the broad range of writers who I've been compared with; it reflects my reading.
When I've had enough of words, I go out into the city for a long walk; sometimes I'll go out walking for several miles. And I'll just take photographs and hope for something striking or unusual to happen that I can organize into a picture frame.
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer.
One of the difficulties of photography is that it is much better at being explicit than at being reticent.
In a Transtromer poem, you inhabit space differently; a body becomes a thing, a mind floats, things have lives, and even non-things, even concepts, are alive.
A mob is not, as is so often said, mindless. A mob is single-minded.
Probably the biggest temptation that young writers face is to be entertaining, to show your bag of tricks and do a bit of tap dancing. I read a lot of things, and I keep seeing this brocade of voice where someone is trying to be too pally with you or ingratiating on the page.
I am a novelist. I traffic in subtleties, and my goal in writing a novel is to leave the reader not knowing what to think. A good novel shouldn't have a point.
Always say 'no pun intended' to draw attention to the intended pun.
Throughout his career, W.G. Sebald wrote poems that were strikingly similar to his prose. His tone, in both genres, was always understated but possessed of a mournful grandeur.
