Besides being a guitar player, I'm a big fan of the guitar. I love that damn instrument.
I've always considered transcribing to be an invaluable tool in the development of one's musical ear and, over the years, I have spent countless glorious hours transcribing different kinds of music, either guitar-oriented or not.
Reps once took chances on art, History's most treasured musicians were believed in and cultivated to reach their potential. Today, it would be difficult for those musicians to get deals.
I know it is common nowadays for artists to start labels but this is a thoroughly constructed vehicle for inspired talent. This is a market that we've been living, breathing and eating for our entire lives - one where a huge void currently exists. Favored Nations is a long-term commitment.
All musicians practice ear training constantly, whether or not they are cognizant of it. If, when listening to a piece of music, a musician is envisioning how to play it or is trying to play along, that musician is using his or her 'ear' - the understanding and recognition of musical elements - for guidance.
As far as Deep Purple goes, I mean, they're iconic. Their contribution is unquantifiable, and as far as the politics involved in things like awards, you know, I don't think anything, because I know what they mean to me, and I know what they mean to the people who like them. Awards are very politically based.
Criticism can be devastating. When push comes to shove, we are all very sensitive.
I designed a guitar for Ibanez and then they started manufacturing it - it's called the Jem - it's 26 years old and I still play it. As a kid I liked Les Pauls and Strats, but they had limitations for the kind of playing I wanted to do.
I'm always pursuing knowledge; I'm a seeker of spiritual equilibrium - and music is a big part of that.
I've never really heard anybody imitating anything of mine the way they do with Edward Van Halen's stuff.
I have an independent record label called Favored Nations on which I released an album by an artist called Johnny A, who plays an arch top Gibson through a Marshall, but the tone is all in his fingers.
I awake, I meditate, get the kids off to school, go to the gym, go to the Favored Nations office, and usually at around 1 pm I'm home and do music the rest of the day.
I've learned over the years that you're going to be most successful at the things you're most excited to do. Every artist has a special set of tools. When you really use those tools, and you make yourself feel really good about the product you create, I think you'll find an audience for it. I've been very fortunate in that respect.
I didn't have any aspirations of becoming famous or successful; in fact I was scared to death of all that. I remember somebody once said that if a rock musician goes on tour, he goes insane. I was very impressionable and I carried this useless weight of fear around with me about going on tour, all because of this thing somebody said.
I could never overstate the importance of a musician's need to develop his or her ear. Actually, I believe that developing a good 'inner ear' - the art of being able to decipher musical components solely through listening - is the most important element in becoming a good musician.
History's most treasured musicians were believed in and cultivated to reach their potential. Today, it would be difficult for those musicians to get deals. We have the insight and the tools to identify and bring to fruition the dormant talent that our artists possess.
The classical guitar has a dynamic to it unlike a regular acoustic guitar or an electric guitar. You know, there's times when you should play and there's times when you gotta hold back. It's an extremely dynamic instrument.
It's hilarious, because my guitar has what's known as a tremolo bar or a whammy bar. And the whammy bar is probably the most alien thing on my guitar that could possibly relate to a classical guitar.
I can count on one hand the people who are legendary in my book, and Tom Waits is certainly right at the top. It's funny, though: When I tell people that I like Tom's music, it surprises them.
I think every artist subconsciously wants to evolve themselves. Sometimes they get stuck in ruts because of pop culture, peer pressure, stuff like that. But what excites me most is exploring my own musical insights and expanding upon them.
