There are a lots of clowns in our family - our house is a fun house.
I'm happy that I have a look, but I don't over-analyse whether or not it's beautiful or ugly.
On my wedding day. I didn't want a natural, blushing-bride look - I had a full-on hairdo and red lips. I thought it would be disingenuous to do the whole virginal look, so even though I had the white dress, I had pink net underneath.
Some people can get away with being very sexy to men and not looking like a complete cow, but I didn't think I was in a position where people knew me well enough.
Having a successful first album is one thing, but a successful third is another.
You have to apply yourself because you'll never get a better opportunity than the one you have right now. Having said that, people know by now if they like me or not. I don't need to prove anything.
When I first started out, I got criticism for the way I looked. I think, now, it's a good thing because, why would you want to look like everyone else?
Not all my shoes are designer. In terms of clothes, everything is on the same level for me. If I like it, it doesn't matter if it cost £200 or £2. I'm attracted to things rather than labels.
A lot of what inspired many musicians is celebrating differences, and people relate to that - more people feel like the unpopular, freaky one than the one in the in-crowd.
I don't think that old-fashioned idea of record companies exists any more.
There are a lot of people out there who lie about their age and I think it does us all a disservice. It can't all be over when you hit 30. That would be rubbish.
But I quite like that the public has a very short attention span. If I haven't been on telly for a little bit, I can sense it. People don't take as much notice of you, it's really quite palpable.
Now when I say Sophie Ellis-Bextor I feel that's not really me because that's become this entity from doing the gigs and the shows and the make-up contracts and whatever else.