It's funny: now we're starting to do interviews, we've just begun to understand what we're doing, whereas before, without doing interviews, we never really thought about motives.
We don't like trends. We formed initially because we felt we had something of our own to say. What was happening was lacking in certain aspects - it needed a different point of view, a variant on things, but with the same attack, impact.
Gothic in its purest sense is actually a very powerful, twisted genre, but the way it was being used by by journalists - 'goff' with a double f - always seemed to me to be about tacky, harum-scarum horror, and I find that anything but scary. That wasn't what we were about at all.
I suppose I was interested in creating a vision; in the same way, I was very drawn to tension within cinema. Hitchcock was my other early obsession - 'Psycho' and its score. So there was the sense of trying to create an atmosphere: how a sound resonates and makes an effect.
The whole 'anniversary of punk' thing really compounded what I thought was wrong. I was so disillusioned. I remember thinking, 'I don't want anything to do with this.'
