I am happy that I am getting roles to prove my acting calibre.
Publicity is very important for any actor, especially when you are new, and people need to know you.
When you work with someone who is not insecure, that makes you confident.
Experimental or independent cinema is so exciting because it is about risk-taking, as there is no formula.
It does not matter to me how many dialogues I have in the film or the screen time. It is all about story and characters for me.
Age is a very psychological thing; I do not know how old I am if you ask my age. Age is calculated by when you get born, but I do not agree with that parameter. I sometimes feel like 25, sometimes 12 and at times 40, and I love that about myself as an artist. I am not stuck to a particular age.
I am a fashion graduate, and I try to make a fashion statement which defines my individuality, as clothes are not just what you wear, but they also communicate.
I am one of those who will not do anything and just sit at home if I don't like the work coming my way.
I have had a simple life. I have amazing support from family, a great set of friends; financially and emotionally, I have been quite balanced.
I am dying to share screen space with Richa Chadha. In 'Masaan,' we do not have a single scene together.
Cannes is one of the biggest film festivals across the globe, and getting your film selected for a screening is quite a big achievement.
'Laakhon Mein Ek' is one of my favourite projects.
Indian women usually tend to forget themselves once married.
If you are not happy, you will never be able to give happiness to others.
While growing up, I always wanted to see myself on the big screen - more so because there were no laptops then, and viewing on mobile was a far-fetched dream.
I am a very instinct-driven person.
At first, I was worried sharing screen with an actor like Nawazuddin Siddiqui, because he is a remarkable actor and an outstanding person.
I always knew from books and shows that the lives of circus artists are not easy, but spending time and learning from them made me realise the amount of effort they put in and how they constantly jostle between life and death.
I have no qualms working on a quintessential Bollywood film, but I can't work on mindless no-brainers. I have too much self-respect for that.
For me, content is paramount, and even if I'm to do a potboiler, the content should be excellent.
