Especially in Britain, people want to limit you.
I can read significance into tiny, tiny things. If I'd met someone 10 years ago and not seen them again, and then I suddenly bumped into them, I'd feel that that was 'meant,' or there's a fate, you know?
I didn't know where film came from when I was under 10. I just thought I'd be a stage actress. I always knew money would be tough, but that never frightened me.
I grew up without any security - I obviously had lots of security because I have two parents who had a good marriage and stayed together, and we had a creative household full of ideas, but there was never any financial security. So I knew I could have a good life without that.
You want to make entertainment sometimes, and sometimes you want to make art, because I think the way we understand ourselves as human beings is through art, and the way we process emotions - I know I do - is through recognizing experiences on screen or in novels or in paintings.
People are saying we need more females in our industry and we need more female-driven stories, but that takes the men of bankable star quality to come forward and play supporting roles in those films because, ultimately, that's what the women have always done.
I have worked with three female first assistant directors - on 'Hostiles,' 'Gone Girl,' and a short film, 'The Human Voice,' and they have all been exceptional.
I certainly relish the chance to play a woman who didn't have to conform in any way ever to expected behavior or desirable behavior or attractive behavior.
What's so great about 'Gone Girl' is the conversations it provokes.