I look my best when I'm totally free, on holiday, walking on the beach.
I think I was lucky in that I wasn't one of those girls who are told they are pretty the whole time. I never got that. Nor did I ever obsess about my looks as a teenager.
There are certainly contemporaries that I admire, like Emily Blunt. I think she is amazing.
There was a time during 'Gone Girl' that I'd come home, and I'd say, 'I get to be every part of being a woman in this role.' For me, I feel it much more as a springboard for the work I'm going to take on thereafter.
Nothing can teach you what it's like to work on a film set, and the best education there can be for an actor is to walk up the street and observe human nature.
I long for the day when there are things I feel strongly about politically.
I think when you are an only child, parents are more protective and fearful because they've only got one of you. I was not allowed to do a lot of things that, if I'd been, say, number three, I would have.
When you're about to get married, and then you're not, it's all a big shock. You think, 'Well, okay, so I'm never going to lead a totally conventional life now.'
Peter Chelsom and Edgar Wright are totally different directors and worlds apart, but both really accomplished directors who are certain of how they want to make a film.
And I like the look on people's faces when I say I'm doing this movie called Pride and Prejudice and they kind of smile, and then I say I'm in a movie called Doom and they kind of do a double take and try and put the two things together. And they never quite manage to.
It's not easy casting the men. You have to go gingerly, but you have to approach the right man at the right time because men don't want to play second fiddle to a woman. That's the truth.
Sometimes it irks when people come up in the street and say, 'Oh I'm a huge James Bond fan' - when you obviously want them to be a fan of your work in particular.