Actually, my true name is Rosa Dolores Alverio. And then I became Rosita Moreno when a stepfather stepped in. And when I got to MGM studios, which was my first film contract, they just thought that Rosita wasn't a good name, and they changed it to Rita. And yes, it was their idea.
I figure if I keep my spirit in shape, the bones will take care of themselves.
It's kind of heartbreaking when I talk about it now, I still get very moved by the lack of opportunities that were available to myself and to the very few others who were Hispanic young actresses.
I've been neurotic in my life; I've had neurotic relationships with men. What else is new? But you really have to learn to be resilient - able to bounce back, pick yourself up, and just keep moving.
A friend of my mother's, Irene Lopez, was a Spanish dancer. She saw me bopping around the room and said to my mother, 'Rosita might have talent. Can I take her to my dance teacher?' There was no thought of a career at that time, but I knew I loved the attention, and that's so much a part of being a performer.
I was born in Puerto Rico - I used to sit in the sun until I looked like a piece of bacon. It's a wonder now that I don't look like an old wallet. I'm a very fortunate person.
The thing I get the most that I really love is that people don't so much mention films I've been in or shows I've been in as they say, instead, 'I love you. I just love your perseverance.' That really pleases me.
My mother's feeling about men in general were always a bit of a mystery to me. She had difficulties in Puerto Rico with the men in her life. Her brothers abused her. It's very easy to be judgmental, but more often than not, there are mitigating circumstances, and children are not usually aware of those.
You can't, or you shouldn't, be nominated for an Oscar unless you've turned in a performance that's special.