I met David Croft. He was a man of few words. But he had great charisma.
If you close one eye and imagine a bright light constantly in front of the other eye, your vision is compromised. You can only see about 30 percent of what you should be able to see.
I grew up with the idea that someone might hate you if they knew what religion you were; being afraid to open my mouth because my accent might make people think something about me. Or even if they didn't, would they understand me?
There was that sense that as soon as a Northern Irish person opens their mouth, you go, 'Ah, terrorist,' so I refused to do TV and film. Instead, I did theatre for 20 years.
Gene Roddenberry is one of the greatest guys who ever lived because he gave us hope that the future might be bright and we could accept one another for whoever we were, even if we were alien. That's an amazing message, don't you think?
So much Western storytelling comes from Scandinavia. I've read that in the past, storytellers would travel to Iceland and exchange stories. It's kind of the birthplace of great storytelling.
I think the benefit of being a writer is that I'm looking for the subtext on the page, because all good writing has subtext. And as a writer, you look at the big scope of things, the big story, rather than just your individual story line, because I think it's important to know what you're in and how you fit into it.
Sometimes you even start to sound like the character because you're living and breathing them every day on the set. It gets into your bones.
The first director I ever worked with on 'Thrones,' he had a big hand in casting me. He said he cast me because there was a bit of an Alec Guinness about me, but a very dangerous Alec Guinness.
I could live in a community like 'Fortitude.'
In scale, 'Fortitude' is just as big as 'Game of Thrones.' It's equally as epic - it's just starting out.
As soon as people really get into the swamp - the scary swamp that is 'Fortitude' - there's no getting out of it. You need about six to seven episodes in to really go, 'This is what it's about.'