It's really hard to imagine there ever being the kind of impact there was when punk rock happened in the late 70's. I wish there would be one big change like that again, but I don't know if that'll ever happen.
Your best protection is to have an established agent make the contact.
The first Decline I did was out of sheer love and appreciation for the music. In 1977, it was more about bands, because punk was a new form of music. It was groundbreaking and political.
Different parents have different standards for their children.
Me and Johnny Rotten have been talking about doing a movie of his book, No Irish, No Dogs, No Blacks. We have a script, so hopefully that's going to happen at some point in our careers.
In other countries, it's a common thing to have outcast children running around the streets in packs, and I don't think we're so far away from it here.
There are thousands of directors in Hollywood.
I live on this nice three acres in Hollywood.
When we did Wayne's World, it was 14 million dollars and they didn't bug us too much because they just thought it was some little movie that nobody was ever going to see. We showed them.
For the most part, studio movies have huge budgets. They don't do anything under 30 to 40 million. When you have that much money at stake, you have so many people breathing down your neck.
Before you approach a production entity or even a potential producer, you should write up a treatment and register your show with the Writers Guild of America.
This generation has given up on growth. They're just hoping for survival.