I was born in Joliet, Illinois. It was totally Midwestern - small, little house, two great parents, and a sister and a beagle.
Some children challenge themselves to maybe run a marathon or something. I challenged myself to stay up for two days and make cinnamon toast and watch the Jerry Lewis Telethon and laugh and cry.
At my confirmation, where you get the Holy Spirit, I came down the stairs at my party and had torn, like, 80 holes in my pantyhose and said I had the Holy Spirit, and just would do things like that all the time.
My sister was three years older than me, and she was like the stone-cold '70s fox. I looked like a short Polish farm woman, and so our journals were wildly different.
Twitter is really - I got very addicted to it just because it's so simple, and it's like a video game for comedy writers to just do a one-liner about something.
All the women I've grown up with at 'SNL' and other areas, and even the women that work with Judd Apatow, all those women are powerful, assertive women that have great material, and they just produce themselves.
My specialty at 'SNL' was doing triage. There was always a great need for someone to say, 'Make this funnier. Give me an ending for this. What's a better big laugh for this towards the end? What's a better physical joke in this?' And I just really, over time, honed that specific thing so well.
If you're hired to be a funny person, you have to trust your judgment but also be open because sometimes you think something's funny, and the next day you read it and go, 'Oh, my God.'
I was a very earthly, matronly, plus-size little girl with a pure heart.
You're under the gun at all times because it's live TV. A lot of time, between dress and air, you're having to come with an entire ending to your sketch that gets an even better, bigger laugh - which is terrifying... People are filing into the audience, and you're writing a new joke for the end of it.