My favorite place to vacation is anyplace by the ocean.
I'm mildly obsessed with skin care. I do a lot of masks at home, like Elisha Coy's Korean Collagen masks. I also use an embarrassingly wide variety of facial creams.
I've had a very supportive mother my entire life, so I've had strong women around me.
I love all things Queen - their songs are epic storytelling.
If I'm having a bad day in rehearsal, I'll sleep with my script.
I try not to put my purse on the floor - demons will get into it.
Film is new for me so I'm so fascinated by it and love it, but I would pass out if I could never do theater again. I'd be physically ill!
When I was a kid, my daily routine was playing make-believe, and I kind of created these stories throughout the day. And when it came time to go to preschool, my English wasn't really so great because my mother wanted me to learn Ukrainian, so she signed me up for these children's theater groups.
Before I left for Germany, I had gotten accepted to the performing arts high school in New York, which was a big dream of mine. And having to leave that was very sad for me.
Every audition is different, but I get incredibly nervous and insecure and worked up for however long I have to prep - that's when I get to spin. But you're not allowed to spin once you enter the room. Doubt really can't enter the room when you're auditioning - unless it's part of the character.
I got last-minute rush seats to Baz Luhrmann's 'Boheme,' and my favorite singer, Ekaterina Solovyeva, was playing Mimi that day. My face got burned off when she sang the aria 'Donde Lieta Usci.' The woman was technically sobbing and singing opera at the same time. I don't know how you do that.
I can't have white roses. They symbolize death.
I let steam off by watching 'Downton Abbey.'
When I was 13, I moved from New Jersey to Germany with my family. The high school was so supportive of my dream to continue with my theater training; instead of taking PE, I would get credit for dance lessons.
Going to the theater or having the honor of performing in theater reminds you of your humanity in a very different way. It's a real release and an incredible challenge. But the stage is a dangerous place. You gotta be trained. Plus, crowds like when things go wrong. I think that's part of the thrill. Anything can happen.
Now that I'm on Broadway, it's like NASA engineering with the costumes. I was very grateful for the slightly more high-tech ones in my show, 'Venus in Fur'; our costume designer Anita Yavich is kind of a genius.
I would feel ill without theater. It's kind of a cliche, but every time you make a mistake, you really do have to learn from it to move on. When you're doing something live, there's no time to dwell. Hopefully you'll laugh it off, but if not, you can always take a day to hate yourself.
I don't really know what 'American' is. I know what Ukrainian is. We're happy Slavic people. We're not Dostoyevsky Slavic people. There's this sense of 'pick it up, get your hands dirty, make the best of it, celebrate.'
I never approach a character from a negative place.
I think if you want to get to know me, you should come and see a show. A person might get to see more sides of me.
