Christian: The greatest thing you'll ever learn is just to love and be loved in return.
Satine: Besides, I can't fall in love with anyone
Christian: Can't... fall... in love? But, a life without love, that's... terrible...
Satine: No, being on the street, that's terrible.
Christian: No! Love is like oxygen!
Satine: What?
Christian: Love is a many
splendored thing. Love lifts us up where we belong. All you need is love!
Christian: [bursts out into song]
Argentinean: We have a dance in the brothels of Buenos Aires. It tells the story of the prostitute and a man who falls in love with her. First, there is desire. Then, passion. Then, suspicion. Jealousy. Anger. Betrayal. When love is for the highest bidder, there can be no trust. Without trust, there can be no love. Jealousy, yes, jealousy will drive you mad.
Satine: [singing] Never knew I could feel like this. Like I've never seen the sky before. Want to vanish inside your kiss, every day I'm loving you more and more. Listen to my heart, can you hear it sing? Come back to me- and forgive everything.
[gasp]
Satine: Seasons may change, winter to spring... I love you 'til the end of time.
[last lines]
Christian: [voiceover and typing] Days turned into weeks, weeks turned into months. And then, one not-so-very special day, I went to my typewriter, I sat down, and I wrote our story. A story about a time, a story about a place, a story about the people. But above all things, a story about love. A love that will live forever. The End.
Christian: [voiceover, singing] The greatest thing you'll ever learn is just to love and be loved in return.
Christian: It's a little bit funny.
Satine: What?
Christian: This feeling inside. I'm not one of those who can easily hide. Is this ok? Is this what you want?
Satine: Ah, poetry. Yes, this it what I want naughty words.
Christian: I don't have much money but boy if I did, I'd buy a big
house where we both could live. If I were a sculptor, but then again, no. Or a man who makes potions a traveling show. I know it's not much...
Satine: Oh Naughty, don't stop, don't stop.
Christian: But it's the best I can do.
[sings]
Christian: My gift is my song. And this one's for you. And you can tell everybody that
this is your song. It may be quite simple but now that it's done. I hope you don't mind, I hope you don't mind that I put down in words... how wonderful life is now you're in the world.
Satine: I don't need you anymore! All my life you made believe I was only worth what someone would pay for me! But Christian loves me. He loves me! He loves me, Harold. And that is worth everything! We're going away from you, away from the Duke, away from the Moulin Rouge!
Zidler: Send Christian away.
Satine: He will fight for me.
Zidler: Unless he believes that you don't love him.
Satine: What?
Zidler: You're a great actress, Satine. Make him believe that you don't love him.
Satine: No!
Zidler: Use your
talent to save him! Hurt him, Satine. Hurt him to save him. There is no other way. The show must go on. We are creatures of the underworld. We can't afford to love.
Satine: I'm sorry, Christian, I'm dying.
Christian: No, you'll be alright
Satine: I'm so sorry, Christian. I'm sorry.
[brief pause]
Satine: I'm cold. Hold me.
[long pause]
Satine: You've got to carry on without me, Christian.
Christian: I can't
carry on without you.
Satine: You have so much to give.
Christian: No.
Satine: Ye. Tell our story, Christian.
Christian: I love you.
Satine: [smiles] Tell our story, Christian, that way I'll always be with you.
Christian: Days turned into weeks, weeks
turned into months, and then on not-so very special day, I sat down at my type-writer and I wrote down our story. A story about a time, a story about a place, a story about the people. But most importantly, a story about love. A love that will live forever. The end.
The Duke: I don't like this ending...
Zidler: Don't like the ending, my dear Duke?
The Duke: Why should the courtesan chose the penniless sitar player over the maharajah who is offering her a lifetime of security? That's real love. Once the sitar player has satisfied his lust he will leave her with nothing. I suggest that the
courtesan chose the maharajah.
Toulouse-Lautrec: But, but tell me, that ending does not uphold the Bohemian ideals of truth, beauty, freedom, and...
The Duke: [shouts] I don't care about your ridiculous dogma! Why shouldn't the courtesan chose the maharajah?
Christian: [shouts] Because she doesn't love you!... Him... Hi-him,
she doesn't love... she doesn't love him.
The Duke: Oh, I see... Monsieur Zidler, the play will be rewritten with the courtesan choosing the maharajah and without the lovers' secret song. It will be rehearsed in the morning, ready for the opening tomorrow night...
Zidler: But, my dear Duke, that will be quite impossible.
Satine: Harold, the Duke is being treated appallingly. These silly writers let their imaginations run away with themselves. Why don't you and I have a little supper, and then we can tell Monsieur Zidler how we would like the story to end.
Satine: A little supper? Maybe some champagne?
Christian: I'd rather, um, just get it over and done with.
Satine: Hmph. Oh. Very well. Then why don't you come down here and let's get it over and done with.
Christian: I prefer to do it standing.
Satine: Oh.
[starts to stand]
Christian: You don't have to stand, I mean. It's sometimes that... It's quite long and I'd like you to be comfortable. It's quite modern what I do and it may feel a little strange at first, but I think, if you're open, then you might enjoy it.