I think if you're a competent actor with a good imagination, and if it's on the page, it makes your job a lot easier.
I'm not one of those people who writes a biography or tries to figure out what kind of ice cream the character liked when he was 10.
I'm not really a guy who draws on things from my own past. I think if you're a competent actor with a good imagination, and if it's on the page, it makes your job a lot easier. If it's well written, it allows your imagination to run wild and draw inspiration from that.
If your attention is on superfluous aspects that are not part of the story, then you can't be concentrating on the human realities of the piece.
I was drawn to it much to my father's dismay. He wanted me to be a pianist like he was, but I had coarser tastes - like that old joke: What do you call a guy who hangs around with musicians? A drummer.
I wanted to stay on TV because I've got kids who are school-aged, so I get to see them most days as opposed to going away for movies months and months at a time.
People sorta know my face, but I can still go out to the supermarket, and nobody pays much attention.
I was a musician and did moderately well at that. I made an enjoyable living as a very young man, but I think as I became more comfortable and knowledgeable about myself and what I wanted, I moved into acting. I came to it rather late - later than most. I just really wanted to try my hand, and thankfully, it worked out for the most part.
Big Stephen King fan. I think he's dismissed often as a hack probably because of his prolific body of work, but he's anything but. I think he's a terrific writer. And not just a genre writer; he really approaches a number of complexities in everything he writes. So I'm a huge fan.
In most cases, I think most executive producers and studio executives really do their best to accommodate you. At least, that's been my experience in most cases.