It sounds cliche, but success is your friends, your family, what you do, and if you're happy when you wake up.
'Boardwalk' begins literally on the first day of Prohibition, which I think was a wonderful way to start - to have the story kind of come out of this massive historical phenomenon. And the more I researched the '20s, the more I discovered just how interesting it was.
'Boardwalk' has kind of exposed me to a different demographic. And it upped my skills in terms of the speed with which I can prep a scene, and I'm excited to apply that.
There are directors who, their direction is high, but then when you challenge it, it crumbles. They can't back up what they're asking.
'Dawson's Creek' was my introduction to the industry. It put some money in my pocket and it put me in the position I wanted to be in, where I could audition for projects that I wanted to be a part of. I didn't find it creatively fulfilling in any way though.
To be honest, I make very controversial films. The films that I've made have been very, very bold choices.
Every movie that I've picked, from my first film on, has been considered by everyone to be 'career suicide.' And I have an amazing life. I have an amazing career. I work with artists. But I'm not making 'Spider-Man.'
When I make movies, I have a lot of respect for my audience. I think my audience is smart. If there's a way to be entertained and get things out - real things, not stupid moral crap - that's the best.